Month: March 2008

  • Good work

    More work from Joe today…this is gooooooood.

    I also got an email from Frankie with instructions to call him today because he “has an idea”…this is also veeeeeerrry good…

    (word on the street is that he gave a thank you call to my professor for giving him my name/number).

    I was telling Scott today that this stage of my “industry” life feels a lot like the beginning stages of dating…you know, like the day after your first date with somebody where you are over analyzing everything that they did and said…waiting for them to call you back…hoping that they liked you?

    Yeah…it kinda feels like that. HAHA!

  • Cool Coolness of Cools…

    This week is Musicalifornia. That might mean something to some of you, and nothing to others…but to me it means taking the social bloodpressure of the music and worship industry in it’s current state. Seriously, everyone comes out to these things…and it’s VERY interesting to a person that observes and analyzes others (a person like me) to see “where we’re at” right now in one of my fields…haha…

    Easter was incredible. Absolutely the coolest thing…

    Travis and Daniel

    And finally…tonight I met Travis Cottrell in Pasadena. He performed at Musicalifornia and Christy, Joli, and I talked to him afterwards. He is very humble when you talk to him in person. A super nice guy. I also TOLD him that he’s coming to sing at our church sometime soon with our choir/orchestra. And if he does, I might poop my pants a little. Joli just about passed out when he started singing “2000 Years”, and I’m pretty sure she was crying during “Forevermore”. But seriously, it IS that good. He is amazing. And don’t get all hooty-tooty like “Oh, he’s OK…” or saying things like, “That song was just alright…” because you haven’t HEARD it in person. Dude’s got chops–real musician chops–not just pop-singer-wanna-be-CCM-worship-leader chops. Like opera chops that he’s translated into faux pop and worship leading. Outstanding.
    In honor of his coolness…and because I was headed this way already without knowing it…we’re doing an “all Travis” worship set this Sunday (every song is one of his arrangements).
    I mean…3 out of the 4 were that way already, I just added the last one when I got excited…

    I got a picture. It’s coming as soon as Joli emails it…

  • Live Blogging My Day…

    Exciting day…here’s the play-by-play…stay tuned all day for continuous updates:

    4:15AM–Alarm goes off. It’s my iPhone playing “2000 Years” by Travis Cottrell. The ringtone always starts at the chorus…”Will I fall down and worship…” Good stuff.
    4:33AM–Drive out of the Midway parking lot with Nathaniel asleep in the back and a bag of snacks on the seat next to me. I’m headed for West LA.
    4:55AM–Massive fog near La Jolla. I slow waaaaaaay down to about 60mph.
    4:59AM–Fog clears after a few miles. Phew…
    6:07AM–Starbucks stop in Irvine. Nathaniel wakes up and is as sweet as a button. I buy him a bagel. He asks, “Is this the one that comes with cheese?” (cream cheese? yes…)
    6:25AM–Arrive at Christy’s parents house in Placentia to drop off Nathaniel. He instructs me to say goodbye to mommy and Noah, and tells me that he’ll miss Noah and us tonight when he goes to bed. Awww…
    6:35AM–Poop stop. Chevron. Fill up gas tank…
    7:30AM–Arrive at Big Time Studios in West LA. No one is really here yet…I’ll wait a bit.
    7:35AM–Someone shows up and lets me in, but they don’t have a key to the office I need to get in to. I meet a nice person named Rogina. She works for “The Company”. Yes. There’s a company called “The Company”. I think she has an accent…British??
    7:36AM–I read a devotional book.
    8:00AM–Susan, the owner of the studio arrives and lets me in to the place I need to be…she looks concerned and asks how I got into the building…”I followed some people in???” Shhhhhh…she doesn’t look happy.
    8:32AM–Logic crashes. I pause to blog. Back to work now. (It turns out I’m orchestrating “Gabriel’s Theme” from this movie. It’s a pretty theme–and then I see this little window with the video it’s going along to–BEEEEAUTIFUL!! Man, this is cool…

    10:30AM–This is taking longer than expected. Getting used to someone else’s setup is kinda hard, even for a smarty pants like myself. I figure some stuff out…these sounds sound good!

    11:12AM–Snack break. Hmm..out to the car…what do we have here? Yum. FiberOne Bar, Sour Skittles, and Vitamin Water. Yep! Good enough…back to work…less than three hours until I have to leave.

    1:05PMP–Less than an hour until I have to leave. Not good…I’m making great progress–in fact, I had an idea out of the blue to try something (in order to accomplish something the composer asked for) and the crazy thing is–after working on two bars for about 20 minutes…it worked!! I’m encouraged, to say the least…

    2:11PM–Heading out! Back to San Diego! Pray for me for safe travels and light traffic…thanks!

    3:30PM–I finally make it from West LA to Downtown LA. At this point my blood pressure is pretty high, as I start to feel like I may never make it to San Diego. If there was any time in my life where I could say I was praying without ceasing…it was this drive.

    4:10PM–I make a stop in Fullerton to pickup Heidi and get a pretzel and a cliff bar. With Heidi I can now take the carpool lane…phew. Blood pressure calming down slightly as the freeway starts moving faster…

    6:00PM–Jack in the Box stop in National City. Blood pressure back to normal as we are only 15 mins. away from Midway.

    6:20PM–change into dress clothes.

    7:00PM–Orchestra rehearsal (I made it!)
    8:00PM–Final dress rehearsal with everyone (great job to all…)

    9:30PM–McDonalds run for hot fudge sundaes. You can’t buy a better dessert for a buck anywhere. Same price it was in 1997…I know because my freshman year of college I used to save up that $1.07 for a once a week trip to McD’s…what a treat!

    10:30PM–bed. Goodnight.

    Stay tuned!

  • Bravado

    Just so we all know exactly what this is…because I didn’t really know…

    bra·va·do      [bruh-vah-doh] Pronunciation KeyShow IPA Pronunciation
    –noun, plural -does, -dos.
    a pretentious, swaggering display of courage.

    [Origin: 1575–85; < Sp bravada (now bravata < It), equiv. to brav(o) brave + -ada -ade1]

    brag, bluster, bombast, braggadocio. See courage.


    Well…I’ve been looking for where I wrote all of that down to see what word she used in addition to bravado…but now I think we’re really all just over analyzing this stuff.
    The bottom line is this: when I meet someone new in the business–I can’t be shy or reserved. Confidence. That’s probably more of what she meant instead of bravado…

    I visited a film composer in a studio yesterday–we talked–it was great. I’m going to flesh out/orchestrate one of his themes. I worked on it a little last night. It’s very cool.

  • Easter

    I can’t believe Easter is this weekend!

    My next class at CSULA is Advanced Flim Scoring and Songwriting.
    It is going to rock.
    I’m on break from grad school this week, then classes start up again on March 26th.

    Just a note–during the final class of “Seminar: Commercial Music” my teacher said the following:
    “Daniel, you only need three things to make it in this business. You need to move closer to the city, you need an orchestra, and you need a little more confidence/bravado about yourself.”

    Interesting…I didn’t know I was lacking bravado…

    soooo….

    Step one: move to Burbank
    Step two: utilize Midway Praise Orchestra to record when necessary
    Step three: ???

  • Irony

    So I posted with all of that whining about how useless my LOGIC skills are (and so on, and so forth) at lunch time on Friday…

    At about two o’clock I received a call from one of my professors with a referral to a film composer that just took on a big movie and may need some help. So I called the guy and went down to visit him on Friday afternoon. He asked me to tell him a little bit about myself, and after a bit of talking I mentioned that I used Finale and Logic (semi-hesitantly). He looked over at me and said, “Oh, that’s good. I use Logic.”
    Of course I was quite surprised by this-especially in light of my earlier blog posting–and replied by saying:
    “Oh really? Most of the people I’ve met use DP…”

    his response:

    “All of the composers I know use Logic primarily”.

    Sheesh. Don’t I feel like an idiot?

    All in all–this was good news–and full of irony.

  • Blessings

    “Count your blessings, name them one by one…”

    Even though this is a weird, old song, it’s actually a good idea sometimes. It’s good to account what we are thankful for, right? I’ve certainly found this to be true.
    When we write down or talk about things we are thankful for, it helps us to avoid the pit of negativity. You can’t possibly have a bad attitude AND be thankful at the same time, it’s a physical impossibility (ok…a slight exaggeration). But still…I think you get the point.

    I have many, many things to be thankful for–including my lovely wife–but today I was just talking with somebody about a really cool opportunity I’ve been given, and I thought I should recount it here to make sure I keep a good record of things I’m thankful for.

    In the film & TV industry, there are a few standards in regards to music prep. These are software programs that everyone uses with very slight variation. In order to work with other people (which you absolutely have to do), you must be using one or all of these platforms. These include the following:
    –For scoring/sequencing: Digital Performer
    –For recording: ProTools
    –For print music: Finale or Sibelius

    I use Logic. For all of it. Why? Because in reality, it’s a better product, and was chosen so by professors at APU as the standard. And really, if I am doing the entire process for myself, and not working with anyone else–Logic IS the best. However, that’s just not how the industry works. There are a dozen guys working on a film score at any given time (sometimes more). I’m working with about 4 guys on a project right now, and that’s just the music prep (and it’s a smaller job, relatively)…

    So imagine my horror when I slowly figured out that I had been educated with an essentially worthless tool (Logic) and would have to learn an entirely new way to do “business”. It’s actually been a difficult thing to work through. The new programs–mainly Finale & Sibelius–are beasts, and are very difficult to learn. Regarding Finale–I’ve been unsuccessful in my previous attempts up to use it and become as adept at it as I am at Logic. It’s frustrating when it takes you 3 hours to do something in Finale that you could have finished in Logic in 10 minutes…believe me.

    Then Joe came along.

    Joe is a composer and has given me little bits of work to do for him during the last few months. As it goes ’round here, when somebody asks you if you know how to do something, the answer is always “Yes!” even if that means working your butt off to figure out that thing you just promised you could do. So Joe gave me some little stuff to do for him in Finale with his scores, mostly just prep work. So I worked my tootie off to learn the “ins and outs” of Finale to get that specific job done. He told me to invoice him with an hourly rate, and since I was not as adept at Finale to get it done in a timely manner, I adjusted the hours slightly. If it took me 3 hours to do something, but most of the time was spent reading the manual and searching through the help menus, I only charged him for 1 hours worth of work, and so on…

    I did good work the first time around, so the next time, the work load was slightly more. This means back to the help menus and fiddling around with Finale, but I’ve got all of the stuff I learned last time under my belt, so it was faster.
    Then the next job came around–and this time I’m writing drum charts and guitar charts for the scores–more learning, but it goes even faster…and so on and so forth.

    I’ve been working on a project for Joe this entire week, and I must say that I’m feeling more and more confident with my skills in Finale than ever before–and I have Joe to thank for it.
    It’s rare that someone like Joe comes around, because most people wouldn’t give a guy a chance like this. Most people would just find someone they know that is an expert and that could get the job done quickly. I would not (at this point) consider myself that type of person, so the big jobs aren’t for me JUST yet. But these smaller ones are perfect. PERFECT for me so I can learn a whole new set of tools.

    So I’m thankful, and blessed.

    I’m also thankful for my wife that tolerates the enormous amount of hours away from her (and the kids) to pursue this career. Eventually I won’t have to work 70 million jobs and will have a little more balance in life–but in this season she has been and continues to be extremely supportive of my pursuits. Not all women would be so understanding and sacrificial. So I’m thankful, and blessed.

    I’m sure there will be more to come…..

  • 101 Million Dalmations

    EDIT ADD:

    Suspicions confirmed. Christy picked up the DVD at Albertsons…this IS where the songs are. 2nd disk under “Music and More”. Cool.


    I think the DVD of 101 Dalmations that came out yesterday includes the songs I worked on with Joe several months back.
     I played piano and sang the demos for two new songs on the DVD–they are titled “Don’t Buy a Parrot From a Sailor” and “Cheerio Hip Hip”.

    Originally I thought the songs were going to be used for a straight-to-DVD Dalmations sequel, but now I’m convinced that they are on this special edition release of the original movie. Which, makes sense given that the songs we recorded were songs written by same song writer that did “Cruella DeVille” and all of those others in the original movie. I was looking at the original sheet music when making the demos and it had things like “Copyright 1939″ on it…definitely not a new song…

    Check out the amazon.com description. I highlighted the part that finally convinced me…

    Amazon.com
    Back in 1961, Walt Disney got a little hip with 101 Dalmatians,
    making use of that flat Saturday morning cartoon style that had become
    so popular. The result is a kitschy change in animation and story.
    Pongo and Perdita are two lonely dalmatians who meet cute in a London
    park and arrange for their pet humans to marry so they can live
    together and raise a family. They become proud parents of 15 pups, who
    are stolen by the dastardly Cruella De Vil, who wants to make a fur
    coat out of them. Cruella has become the most popular villain in all of
    Disney; she’s flamboyantly nasty and lots of fun. But it’s the
    dalmatians who shine in this endearing classic, particularly those
    precocious pups. Telling the story from the dogs’ point of view is a
    clever conceit, a fundamental flaw of the live-action remake. –Bill Desowitz

    On the DVD
    This
    two-disc platinum edition features great sound and incredibly bright,
    intense colors thanks to the restoration process, but its most
    impressive selling point is the huge assortment of bonus features
    designed to delight children, families, and the most serious Disney
    fans. Kids will have fun caring for their very own puppy in the virtual
    Dalmatian game for television or on DVD ROM and can find out just what
    kind of puppy they’re most like and which human Disney character
    they’re most compatible with in the puppy profiler game. The fun with
    language game is geared toward the very young preschooler and teaches
    numbers and the names of common household items. A modern Selena Gomez
    music video of “Cruella DeVil” will appeal to tweens and teens. The
    whole family will enjoy the “101 Pop Up Facts For Families” option
    which prints various movie facts like the name and author of the
    original book and how specific scenes differ between the book and the
    movie right on the screen during the movie and Disney fans will love
    the similar “101 Pop Up Facts For Fans” feature which supplies a wide
    variety of film trivia about featured voice talents, famous Disney
    animators that worked on the film, technical devices employed like
    multi-pane shots and the Xerox process, and which artists directed
    specific scenes in the movie. Eleven separate Backstage Disney
    featurettes interview a host of animators, writers, historians,
    producers, and story men regarding the film’s contemporary feel and the
    groundbreaking technical processes like the then-new Xerox process
    utilized in making 101 Dalmatians. Also highlighted is Bill
    Pete’s amazing storytelling contribution to the film, the technical and
    mechanical innovations of Ub Iwerks, the songwriting process, and the
    animation prowess of famous Disney animators like Woolie Reitherman,
    Frank Thomas, Ollie Johnston, Milt Kahl, Marc Davis, Ken Anderson, and
    Walt Peregoy. The 12-minute dramatization of the longstanding
    correspondence between author Dodie Smith and Walt Disney is intriguing
    and the trailers and radio and television spots provide fun historical
    reference for the film and its various releases. Finally, the “Music
    and More” feature presents a variety of deleted and abandoned songs as
    well as many alternate versions and takes of songs used in the final
    film.
    –Tami Horiuchi


    Yeah–abandoned songs. I think that’s me…

    I also happened to be doing some more work for this same guy…gotta get back to it.

  • I Have A Sickness

    Don’t judge me.

    ipod madness

    At least I’m man enough to admit I have a problem…

  • Movie News

    We all know that there are some killer movies coming out this summer. Indiana Jones 4, Prince Caspian…and I can’t think of any others right now…but there are a ton of them. It looks like a great movie summer…

    However, I bet you didn’t know about this little diddy…yes, that’s right, it’s M. Night Shyamalan’s new film. Of course, if you are a long-time reader, you’ll know from my past reviews of Shyamalan’s films that I think they’re all fantastic. I am absolutely a fan of his work and his brand of storytelling. I think he has completely unique style of filmmaking that tantalizes the mind and brings a non-mainstream perspective to the table. This guy’s a genius–and don’t tell me Lady in the Water was a bomb, because even though it wasn’t Signs or The Sixth Sense, it was still totally creatively fresh and brilliant. If you don’t believe me, go watch the special features on any of his DVDs. Listening to his process is like taking a master class in awesomeness. Oh yeah, and this movie–The Happening–is being released on Friday the 13th…June 2008…oooooooo.

    I can’t wait.

    Here’s a funny one: Get Smart. You know Steve Carell is the best…watch trailer 2.

    And this one might be good: Ironman. The jury is still out…